2 months ago
Death of a Salesman at the Young Vic: ‘a masterful but painful production’
Watching Death of a Salesman at the Young Vic, I’m distinctly reminded of M. C. Escher’s print ‘Relativity’. Made of jutting sections…
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2 months ago
The Happy Prince at The Place: ‘in a sound state but it’s yet to take flight’
Adapting a short story must be tricky. Granted the story is by Oscar Wilde, but, with music and lyrics by…
2 months ago
Small Island at the National Theatre: ‘a warm, moving epic’
Anthony Walker-Cook reviews Small Island in the Olivier Theatre at the National. ‘England is my golden life’. If only. Small Island, based…
3 months ago
Q&A with Adam Nichols, Director of Twelfth Night at the Rose Theatre
Anthony Walker-Cook exchanged questions with Adam Nichols, the director of Twelfth Night at the Rose Theatre that sets the Shakespearean…
3 months ago
West End Eurovision 2019: A Reminder of the Talent and Supportive Community in the Theatre Industry
Who doesn’t love Eurovision? The complete lack of expectation for any UK contestant adds a laissez faire tone to the event that works indescribably…
3 months ago
Hell Yes I’m Tough Enough at the Park Theatre: ‘Hell…no’
Anthony Walker-Cook reviews Hell Yes I’m Tough Enough, a new take on the PR battles that happens before a general…