Throughout Martin McDonagh’s latest play, I kept thinking of Lanthimos’s Dogtooth. The endlessly bizarre, borderline nonsensical, and elusive narratives of…
Anthony Walker-Cook reviews Wise Children at the Old Vic, the first production from Emma Rice’s new company and based on…
Sarah Gibbs revels in the carnivalesque retelling of a Shakespearean classic at the Young Vic. In literary studies and the…
Carleigh Nicholls reviews The Distance You Have Come at the Cockpit, a new production celebrating the music of composer Scott…
Sarah Gibbs reviews Nina Raine’s new play, Stories, at the National Theatre, analysing whether or not the work is comparable…
Gareth Dickson reviews Anjali Bhat’s The Memoir Club, an invitation to sit in on a Bloomsbury Group salon. For The…